Web
typography refers to the use of fonts on the World Wide Web. When HTML
was first created, font faces and styles were controlled exclusively by
the settings of each Web browser. There was no mechanism for individual
Web pages to control font display until Netscape introduced the
<font> tag in 1995, which was then standardized in the HTML 2
specification. However, the font specified by the tag had to be
installed on the user's computer or a fallback font, such as a browser's
default sans-serif or mono space font, would be used. The first
Cascading Style Sheets specification was published in 1996 and provided
the same capabilities.
The
CSS2 specification was released in 1998 and attempted to improve the
font selection process by adding font matching, synthesis and download.
These techniques did not gain much use, and were removed in the CSS2.1
specification. However, Internet Explorer added support for the font
downloading feature in version 4.0, released in 1997. Font downloading
was later included in the CSS3 fonts module, and has since been
implemented in Safari 3.1, Opera 10 and Mozilla Firefox 3.5. This has
subsequently increased interest in Web typography, as well as the usage
of font downloading.
The
core purpose of all web design is communication. Whether we’re talking
about an online retail store, a web presence for a Fortune 500 company,
or a profile for a social networking site, typography is a vital
component. For most people, typography is simply about arranging a
familiar set of shapes to make words, sentences, and paragraphs. Having
the ability to set type with only a few strokes on a keyboard has
allowed us to forget about the creative and artistic possibilities of
this medium.
There
are numerous obstacles to the effective customization of typography for
the Web—and I’ll address these in the coming pages—but the power of
type should be motivation enough to push the proverbial envelope.
Unconvinced? Pick up a magazine, turn on a television, or take a walk
through a grocery store. You will undoubtedly see hundreds of creative
and effective uses of type. It is the substance of branding, the key to
unspoken communication, and an essential piece of the web design pie.
In
order to unlock the potential of type, we must first understand it.
Admittedly, this is no easy task. The minute details of letter forms and
the spaces around them have been carefully calculated over centuries of
investigation and practice. In the early days of print, every letter of
every typeface had to be carved into wood or cast from lead, inked, and
then pressed into paper. This was a handcrafted profession requiring
exacting attention to detail. Even though the practicality of this
practice has long been surpassed by modern printing methods, many
colleges and universities offer classes in letterpress, so that future
graphic designers can both appreciate the benefits of working with type
on a computer, and see the potential for typographic exploration.
The
history and implementation of type is a topic that could fill hundreds
of books—and indeed, it has. In this chapter, though, I’ll merely
provide a brief introduction to the world of typography.
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